Phnoemneal breakdown of the topic, you should write for me too
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In “The White Album,” Joan Didion connects her own nervous breakdown to the cultural disorder around her: the arrest of Huey Newton, the unfolding of the Manson Murder trials, what she calls an “authentically senseless chain of correspondences.” She makes links but she refuses to flatten these links into an easy moral; she wants them to remain provocative but “senseless.” In “No Man’s Land,” Eula Biss positions a personal account of her own Chicago neighborhood inside several larger contexts:...
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